A detail of a painting of Trevi Fountain in Rome.

The Library Edition of the Works of John Ruskin: A Centenary Celebration

23 April – 21 September 2012

Celebrating the centenary of the completion of John Ruskin’s ‘Library Edition…’.

“[Sir James Clark] ordered me abroad before autumn, to be as much in open carriages as possible, and to winter in Italy.”

John Ruskin

‌In May of 1912, the final volume of the Library Edition of the Works of John Ruskin was published. Also known as the The Complete Works of John Ruskin, the Library Edition has 39 volumes in total and contains over 9 million words. It was conceived by Ruskin’s literary executors within a year of his death on 22 January 1900, with the aim of gathering together for the first time all of his previously published writings, together with related manuscript material and a large selection of his private letters (which make up 2 volumes).

Watercolour landscape of a rural village with a vast plain beyond it and mountains on the horizon.
John Ruskin, ‘Brezon, looking towards Geneva’, 1862, 1996P1174 © The Ruskin, Lancaster University

Two of the executors were George Allen, Ruskin’s trusted later publisher, and Alexander Wedderburn, a successful barrister and former pupil of Ruskin’s at Oxford. Wedderburn acted as the main link with Joan Severn, Ruskin’s cousin and inheritrix. He was also co-editor of the 39 volumes of the Library Edition alongside Edward Tyas Cook, one of England’s leading men of letters who made his mark in journalism as Editor of the Pall Mall Gazette, Westminster Gazette and Daily News from 1895 to 1901.

This exhibition was held to celebrate the centenary of the completion of Ruskin’s Library Edition. Included in the display were books, photographs and many of the drawings and watercolours used as illustrations in the volumes of the Library Edition…, such as Rosslyn Chapel (Vol. 38), The Walls of Lucerne (Vol. 5) and View from the Brezon, looking towards Geneva (above).

A detailed drawing of a landscape with clouds and mountains in the background and a lake, bridge and small house in the foreground.
John Ruskin, ‘Watendlath Tarn, Cumberland’, 1838, 1996P1678 © The Ruskin, Lancaster University